Ebook Free The Art of Crystalline Glazing: Basic Techniques, by Jon Price, Leroy Price
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The Art of Crystalline Glazing: Basic Techniques, by Jon Price, Leroy Price
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Crystalline glazing finally receives the comprehensive treatment it deserves in this unique reference work offering complete directions on how these glazes are compounded, applied and fired. How-to exercises cover every step of producing these stunning glazes and the book includes 55 recipes and a firing schedule for each. All glazes are thoroughly explained so artists can easily duplicate them. Detailed instructions show artisans how to alter the number and size of crystals and select the proper clay body. Also included is a thorough discussion of low-fire glazes, frit making, the fundamentals of secondary crystals and troubleshooting tips to help prevent or correct problems.
- Sales Rank: #1022017 in Books
- Brand: Brand: Krause Publications
- Published on: 2003-04
- Original language: English
- Number of items: 1
- Dimensions: .44" h x 8.32" w x 10.90" l,
- Binding: Paperback
- 158 pages
- Used Book in Good Condition
Most helpful customer reviews
1 of 2 people found the following review helpful.
Wonderful resource
By Jennifer
This is the book we go to first when creating a new crystalline glaze. After about a year of experimentation, we are consistently producing beautiful crystals and this book is one of the main reasons.
18 of 20 people found the following review helpful.
Thorough, Systematic, Beautiful!
By Danny Thorpe
Yes, this book is full of beautiful pictures to drool over. After an hour or so of taking in the photos, you may begin to notice there's words and stuff around the photos. Words about the importance of maintaining consistent clay body chemistry when fine-tuning your glaze recipes and firing programs, how to protect your kiln from the caustic "runny" glazes that will ooze right off the bottom of the work, and so forth.
What particularly impressed me as I paid more attention to the words was the author's emphasis on systematic experimentation. There are a lot of variables that affect the formation of zinc oxide crystals, or even whether you'll get any crystal formation at all. So, from the very start you're going to have to run a series of controlled tests to find the "sweet spot" for crystal formation in your kiln, on your particular clay body chemistry, for a particular glaze recipe and firing program. Once you've dialed that in, you can tweak individual parts of the system (glaze formulation, glaze application and thickness, firing program) to alter your baseline crystal glaze. The authors provide detailed recipes and firing programs as well as notes on directions the reader can explore through further experimentation to develop your own unique signature glazes.
3 of 3 people found the following review helpful.
Excellent Starting Point
By Tracey Renner
Price and Price contribute to the literature by providing the reader with needed advice on how to mix glazes, and schedules to fire them with. In fact, the best part of the book is providing the reader with numerous firing schedules and explaining how to use them. I also like their discussion on how to incorporate gum into the glaze solution so that the glaze does not craze. At the same time, I was dissatisfied when I realized that I would not be able to replicate their glazes because most of the glazes that are featured in the book in their illustrations are for cone 11, a temperature that my kiln does not reach. Perhaps because of this, their most beautiful glazes (nickel blue on yellow) did not work in my kiln. That was a disappointment, but I have used recipes from other books with Price and Price's firing schedules and advice. For this reason, I find that the book does not stand alone but must be used with Creber, Shimbo, and other authors.
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